Review: Jin-Roh: The Wolf Brigade (1999)




So far, we’ve touched on milestones of Japanese animation like Akira and Cowboy Bebop—all well known in those circles, but here’s one that may be less familiar to contemporary fans. There’s a Korean remake on Netflix, but for now, let’s go the original source. Though it wasn’t supremely popular in video stores on release, it’s still considered a gem by some commentators, and, well, it’s certainly something different. There’s no upbeat jazz music, no spectacular powers, no magic or supernatural ninjas—but a very sober tale about terrorism, political power play, and mofos in scary looking power armor. Let’s take a look at Jin-Roh: The Wolf Brigade.

The film is directed by Hiroyuki Okiura, who was influenced by Polish cinema—and as someone who knows a little about that, I can tell you that this entails grim, cynical tales set in environments of drab concrete and corrupt edifices. And this goes right to the backstory presented—namely an alternate history where Japan was occupied by Germany after WW2. Other than some stills at the start, Jin-Roh doesn’t really spell out this background or dwell on it much, but there are lots of subtle ways it shows, like everyone driving a Mercedes, or the makes of all of the firearms.

Things are kicked off as we start in a 1950s where Japan is struggling with riots and terrorist groups, and the government decides that a superb way to deal with these sorts of things is a division of elite soldiers in heavy armor whose standard weapon is a machinegun designed to shred entire platoons. You may also notice that the design of this armor was totally knocked off for several videogames, such as Killzone. In any case, we focus on one such initially faceless stormtrooper, Kazuki Fuse, who fails to kill a young suicide bomber right before him. Different factions in the police organizations try to use this in different ways, with Fuse himself caught in the middle—and soon contending with the sister of said bomber latching onto him.



First off, the animation hits that sweet spot of enhancing the atmosphere and matching the tone; the painted backdrops are suitably drab but detailed, selling us the setting of a mid-20th century Tokyo that, clean though it may be, hides all sorts behind concrete facades. The animators take advantage of the orange glowing eyepieces of the armored troopers for various illusions of lighting—and then there’s the violent gore that punctuates it all. The general feel of it all to me highlights why I tend to prefer this period of anime production over today’s largely computer-churned efforts (though lest you accuse me of nostalgic blindness, there was also plenty of crap produced around her as well, and we’ll get to that sometime…).

The story is, however, somewhat slow, with it generally having the feel of a slow-baked procedural. There’s lots of meetings in shadowy rooms, lots of Kazuki questioning himself and his sense of duty, and some might lose track of the different factions and agendas. The final act definitely ramps things up very dramatically, as we get gunfights and blood-soaked perforation aplenty, but to be honest, a lot of the middle doesn’t really hold up to the powerful and grabbing opening of riots and suppression.

And the ending…suffice it to say, much like some of the Eastern European dramas it took inspiration from, its bittersweet at best, and at worst, extremely dark. You can see it as a take on getting behind the visor of your typical faceless minion in many a production, but by no means should you expect sunshine and roses to come out of anything.

Jin-Roh definitely stands out when you compare it to other known titles here—it’s another one that frankly, I’m not sure I could really see being made today, at least not in this form. It’s definitely not going to be for everyone, and if you want a rip-roaring fun time from your animation, I’d say avoid this. For those that want something different, something with a good bit of mood and dourness, check it out. The DVD is somewhat pricey and it’s not on streaming places I know of, but if any of what I’ve described sounds appealing, it may be worth adding to your collection.  

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